Simultaneously he also began studying tropical plants at the Botanical Gardens. Autoportrait, 1923. Exécuté le 20 août 1942 signed and dated ‘Wifredo Lam 20.8.42’ (lower right) gouache and pastel on paper laid down on canvas 39 ¾ x 30 1/8 in. Between 1918 and 1923, Lam studied painting at the Escuela de Bellas Artes, but preferred painting outdoors to the traditional academic setting. In 1923, Lam … « Lam, c’est aussi l’âme de ce temps dans son combat pour la justice, pour la libération des réalités longtemps opprimée[1]. Inspired by and in contact with some of the most renowned artists of the 20th century, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. Drafted to defend Madrid, Lam was incapacitated during the fighting in late 1937 and was sent to Barcelona. Peintre cubain, promoteur d’une peinture métissée alliant modernisme occidental et symboles africains et caribéens créant ainsi un langage singulier et contemporain. C'est à l'âge de 21 ans qu'il prend la nationalité cubaine, étant jusqu'alors chinois par sa filiation, expliquant peu après qu'il s'est toujours senti avant tout cubain plutôt que chinois. Back in Cuba, Lam reconnected with his family and the culture he had been born into. The influence of Surrealism was discernible in his work, as well as that of Henri Matisse. Comment: This painting is the one to which Alejo Carpentier refers as a key for seeing and understanding what lo real maravilloso (Magical Realism?) Overlapping bodies and limbs make it difficult to distinguish the figures and their attributes. Lam initially studied painting in Havana, but soon radically developed his artistic practice in Europe through study of the work of Old Masters such as Diego Velázquez and Francisco de Goya, as well as exposure to modern artists such as Pablo Picasso and Joan Miró. Painted in 1949. Throughout Lam's travels through the Spanish countryside, he developed empathy for the Spanish peasants, whose troubles in some ways mirrored those of the former slaves he grew up around in Cuba. Manolo gave Lam the letter of introduction that sparked his friendship with Picasso, whose artwork had impressed and inspired Lam a year before when he saw an exhibition in Madrid. ‘My Painting is an Act of Decolonization’ an Interview with Wifredo Lam by Gerardo Mosquera (1980), p.3. Jeunesse et formation du peintre cubain. Madame Lumumba, 1938 . His contact with African celebrations and spiritual practices proved to be his largest artistic influence. De mère métisse, aux origines hispano-congolaises, et de père chinois immigré à Cuba, Wifredo Lam grandit dans une famille modeste et ouverte d’esprit : son père qui tient un petit commerce, est un homme lettré qui maîtrise la calligraphie. Lam's Afro-Cuban ancestry, coupled with his sympathy towards the poor, underrepresented and oppressed inspired him to depict typically dark, emotionally intense images of … Image: Wifredo Lam, "La Jungla / The Jungle" (1943, oil on canvas). Wifredo Óscar de la Concepción Lam y Castilla (林飛龍) was born on December 8, 1902 in Sagua La Grande, Cuba, to parents of Cuban, Congolese and Chinese ancestry. Un participant au mouvement de l'art moderne, Lam a étudié à l'Escuela de Bellas Artes à Madrid en Espagne, après avoir quitté sa ville natale La Havane. Lam’s Cuban paintings of the 1940s are much bigger than his earlier works and infinitely more original. Peint en 1949. oil on canvas 48 7/8 x 43 1/8 in. Description: WIFREDO LAM (1902-1982) ... Lam began producing paintings that were dominated by hybridized human-animal-vegetal figures, and produced his most famous work, The Jungle (1943), which depicted four grotesque figures with mask-like faces emerging from dense vegetation. « With regard to life, modern painting is a revolutionary activity… » Wifredo Lam Wifredo Lam (1902-1982) Femme assise signé et daté 'Wifredo Lam 20.8.42' (en bas à droite) gouache et pastel sur papier marouflé sur toile 101.2 x 76.7 cm. Wifredo Lam was born and raised in Sagua La Grande, a village in the sugar farming province of Villa Clara, Cuba. Wifredo Lam était un artiste d'origine cubaine qui a atteint la renommée pour son travail en tant que peintre. Il s’intéresse très tôt aux œuvres de Léonard de Vinci, Velasquez, Goya mais aussi de Paul Gauguin ou Eugène Delacroix. Through his godmother, Matonica Wilson, a Santería priestess locally celebrated as a healer and sorceress, he was exposed to rites of the African orishas. Wifredo Óscar de la Concepción Lam y Castilla, dit Wifredo Lam, est né à Sagua La Grande, (Cuba) le 8 décembre 1902 et mort à Paris le 11 septembre 1982. In 1923 Lam began studying in Madrid under Fernando Álvarez de Sotomayor y Zaragoza, the curator of the Museo del Prado and teacher of Salvador Dalí. Le Repos du modèle [Nu], 1938. Opened in 1983, the Wifredo Lam Center for Contemporary Art (in Spanish: Centro de Arte Contemporáneo Wifredo Lam) is a state-run gallery in tribute to Lam and located in Havana, Cuba. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life. He left for Madrid in the autumn of 1923 to further his art studies. Wifredo Lam was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. Wifredo Óscar de la Concepción Lam y Castilla (Chinese: 林飛龍; Jyutping: lam4 fei1lung4; December 8, 1902 – September 11, 1982), better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. At the outbreak of the Spanish Civil War, he sided with the Republicans and used his talent to fashion Republican posters and propaganda. Peintre cubain, promoteur d’une peinture métissée alliant modernisme occidental et symboles africains et caribéens créant ainsi un langage singulier et contemporain. Nature morte, 1938. The full text of the article is here →. Elle lui ouvre un monde peuplé d’esprits et d’invisibles. At the Prado, Lam discovered and was awed by the work of Hieronymus Bosch and Pieter Bruegel I. De 1918 à 1923, Lam est inscrit à l’Academia Nacional de Bellas Artes San Alejandro (es). In the mornings he would attend his conservative teacher's studio, while he spent his evenings working alongside young, nonconformist painters. In Light of the Forest (1942), a naked, masked … 44 - Quetzal) 1975" Follow Artist Add to Watchlist Limited Edition Print: Lithograph on Paper In this monumental painting, Wifredo Lam (1902–1982) leaves no corner unfilled. Ce dernier meurt en 1926, âgé de 108 ans. A major early 20th-century painter, Wifredo Lam fused elements of Cubism and Surrealism with African culture in paintings that were exhibited alongside those of Pablo Picasso and other Cubists and Fauvists. In Sagua La Grande, Lam was surrounded by many people of African descent; his family, like many others, practiced Catholicism alongside their African traditions. A participant in the Modern Art movement, Lam studied at the Escuela de Bellas Artes in Madrid, Spain after leaving his native Havana. Figures, 1938. Wifredo Óscar de la Concepción Lam y Castilla, dit Wifredo Lam, est né à Sagua La Grande, (Cuba) le 8 décembre 1902 et mort à Paris le 11 septembre 1982. From 1918 to 1923, Lam studied painting at the Escuela de Bellas Artes. A pivotal figure of Latin American modern art, Wifredo Lam was born in 1902 in Cuba, the son of a Chinese father and an Afro-Cuban mother of Spanish descent. Wifredo Lam est un artiste cubain surtout connu pour son esthétique surréaliste unique qui mêle mouvements artistiques européens et imagerie de son pays natal. Nu, 1926. Le texte intégral de l'article est ici →, https://fr.wikipedia.org/wiki/Wifredo_Lam. There he met Helena Holzer, a German researcher, and the Catalan artist known as Manolo Hugué. Proche de Picasso, des surréalistes qui le reconnaissent comme l’un des leurs, il côtoiera également les Imaginistes, Phases, CoBrA. Composición, I, 1930. Wifredo Lam savait qu'il n'y a pas de jungle à Cuba, mais la manigua (maquis dense et épineux). - Wifredo Lam. Il est l’élève des peintres Leopoldo Romañach et Armando Menocal. Between 1918 and 1923, Lam studied painting at the Escuela de Bellas Artes, but preferred painting outdoors to the traditional academic setting. Oil On Canvas Vintage Art Artist Art Cuban Art Visual Artist Western Art African Art Painting. La Ventana, II, 1935. » Lam poursuit le même combat que le poète martiniquais Aimé Césaire, « peindre le drame de son pays, la cause et l’esprit des Noirs. Expert Cuban school painting authentification services Wifredo Lam - 28 artworks - painting. In 1916 Lam moved to Havana to study law, a path that his family had thrust upon him. Wifredo Lam, (born Dec. 8, 1902, Sagua la Grande, Cuba—died Sept. 11, 1982, Paris, France), Cuban painter known for his synthesis of Modernist aesthetics and Afro-Cuban imagery. Cuban, 1902–1982. Wifredo Lam (1902-82), whose work is the focus of a handsome and long overdue survey at the Museum of Latin American Art in Long Beach, is typically acknowledged for his painterly fusion of … Wifredo Óscar de la Concepción Lam y Castilla, dit Wifredo Lam, est né à Sagua La Grande, (Cuba) le 8 décembre 1902 et mort à Paris le 11 septembre 1982. Wilfredo Lam - Art authentication research and investigation experts.- La autenticación, del arte, dibujos y pinturas de Wilfredo Lam - Identification of fakes, forgeries and misattributions . Wifredo Lam (Cuban, 1902–1982) was a Cuban-born painter, draughtsman, and sculptor, born to a Chinese father and Afro-Cuban mother. After graduating from Havana’s Academia Nacional de Bellas Artes San Alejandro, he won a scholarship in 1923 to study at the Museo del Prado in Madrid, where he stayed until 1938, when he moved to Paris. We are presented with three imposing anthropomorphic figures that stand and confront the viewer curiously. Inspired by and in contact with some of the most renowned artists of the 20th century, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. Son épouse lui survit jusqu'en 1944. Wifredo Lam lived in the XX cent., a remarkable figure of Cuban Surrealism. Sagua La Grande est une petite ville sur la côte nord, centre sucrier de la Province de Las Villas. Wifredo s'exerce au dessin et à la peinture dans les jardins botaniques de la ville. La Vieja del rosario, 1927. Mar 18, 2018 - The internationally renowned Cuban painter Wifredo Lam (1902-1982) was a precursor of a cross-cultural style of painting, infusing Western modernism with African and Caribbean symbolism. However, Lam disliked both academic teaching and painting. Inspired by and in contact with some of the most renowned artists of the 20th century, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. Executed on 20 August 1942 Wifredo Lam (Cuban, 1902–1982) was a Cuban-born painter, draughtsman, and sculptor, born to a Chinese father and Afro-Cuban mother.